Tag Archives: Romance

I’m Not a Romantic…

I have never been a romantic. And yes, I know the irony of that. I write romantic novels, but I’m not the “lovey dovey, heads in the clouds, let’s kill ourselves if we can’t have one another” kind of person. To me that is not romance. That’s stupidity.

So maybe I should say I’m not what the world would call a romantic. Because Romeo and Juliet makes me want to throw up. That my friends, is not romantic. I’m reading it with my 9th graders now, because you know, it’s part of the curriculum. But DUDE, the more I read it the more I wondimageer why we consider that romantic. Let’s take another look at that balcony scene shall we?

Romeo and Juliet just met, for the first time, that night a party Romeo crashes—which by the way he only does so because he’s looking for some other hot chick he thinks he’s in love with. Talk about flaky. He kisses Juliet, runs off and then goes and hangs out under her balcony in the middle of the night eavesdropping on her private thoughts while she’s in her nightgown. While on earth does this girl not go screaming in the other direction? That is not romantic. That is creepy stalker serial killer material there.
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I think people confuse romance with infatuation and lust. It’s just not the same thing. That’s why “romance novels” get such a bad rap. If you write romances then all you are writing about is sex and infatuation. But it shouldn’t be because that’s not what romance is—it’s certainly not what the Romantics of the early 19th century believed. Samuel Taylor Coleridge, William Wordsworth, Mary Shelly, William Blake, Walt Whitman, Nathaniel Hawthorne—these romantics were rebelling against the Age of Reason and elevating the idealism, imagination and emotion. It was more about  being an individual and thinking outside the box than it was about lust and sex.

And that’s what true Romance is.

It’s the man who tells the woman she’s beautiful when she is losing her hair because of a sickeningly and shockingly aggressive form of cancer—and he means it.

It’s the woman who comes home from her job and cooks a meal that is both healthy and hearty for her husband because she knows he loves meat, but she wants to keep him healthy for their family—even though she’s exhausted having worked all day she still puts her energy into making him happy.

It’s the mother who quits the job she loves to take care of the kids she adores for the husband she’s committed to.

It’s the boyfriend who holds her hair when she’s sick, and brings her soup…a cleans it up when she throws that up too.

It’s the messy stuff that holds a relationship together that makes something truly romantic. Helping someone understand that they don’t have to be perfect and understanding that you have to give a lot of yourself to get anything in return.

So no, I’m not a romantic. I’m realistic. Because when a relationship is real. That’s when it’s good.

Why I used a couple curse words in my Christian Fiction novel

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Last week I released my first book, and there are many reasons why this is exciting for me, but it also makes me nervous. I’m anxious about how it will be received, and even more so, how I will be judged for some of the choices I made about the content of the novel.

 But that’s okay.

As a writer, well, as a human, I have to make hard choices every day about what I think, feel and believe and when that is put into the context of writing I make those choices for my characters as well.  

By going with a small publisher I was able to maintain a lot of control over the content of my novel. As a result, though, I know there will be a lot of questions. Not the least of which will be: but this this is a CHRISTIAN novel—why are there curse words? Let me set the record straight first—the novel isn’t filled with profanity. In fact, I think there may be 5 curse words in the whole novel, but people—especially the target audience—will notice and I want to make sure I go on record with my reasons why.

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1) I want to make the characters and situations real.


 

Many of the situations and people that the main character, Valerie, meets are not Christian. She is put into the ‘real world’ in some pretty amazing ways. For example, at one point she is in a biker bar. To make that setting seem realistic, the dialogue has to match that which she might encounter. Just because a Christian character goes into an un-Christian place, that doesn’t immediately corrupt the character nor does it ‘cleanse’ the place. For a Christian novel to be real, some of that has to be exposed. God told us to be in the world (not of it). I wanted my characters to reflect that. As Christians, we can’t deny being in the world and these are places that we are a part of every day.


 

2) I want people to empathize with the character’s grief and pain.


 

Valerie is processing the death of a close friend—someone who had been a soul sister to her. She experiences deep, soul crushing grief and pain. The anger manifests in her dialogue and interactions with other people. I would love to say that as a Christian I have never used foul language in my grief and pain, but that would be a lie. Again, to connect to the character I added to her humanity. She makes mistakes—including some of her language.


 

3) I want people to understand that just because something is “Christian” doesn’t mean that it is “perfect”—that goes for people, setting, situations, and language.


 

The themes and lessons in the novel are distinctly Christian, which is what makes this “Christian Fiction”, an interesting phenomenal genre that has really only developed in the last fifty years or so (I mean think about it. Charles Dickens had many Christian themes—yet he is not a “Christian Fiction” writer…). I don’t want to alienate the Christian reader by using curse words, but I also don’t want to lie to them either. My story called for them, so I used them.


 

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The funny thing about it is, I worry—not about using them, but about being judged for that decision. Hopefully, my readers will understand and accept the choices that I made, but if not I hope they can at least present some counterarguments to me that are logical and well-thought out enough so that as I continue to write I can keep them in mind for my future endeavors.

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Buy my novel at any of these locations: 

Amazon: 

http://www.amazon.com/Valeries-Vow-Ashley-M-Carmichael-ebook/dp/B00MV36X32/ref=sr_1_1?ie=UTF8&qid=1409596752&sr=8-1&keywords=valerie%27s+vow

http://www.amazon.com/Valeries-Vows-Ashley-M-Carmichael/dp/163066040X/ref=sr_1_2?ie=UTF8&qid=1409596752&sr=8-2&keywords=valerie%27s+vow

Barnes and Noble: 

http://www.barnesandnoble.com/s/valeries-vow?store=allproducts&keyword=valeries+vow

Second Wind Publishing:

http://www.secondwindpublishing.com/#!product/prd15/2506087281/valerie’s-vow

Smashwords:

https://www.smashwords.com/books/view/468297